Among the comments on Good Reads was one left by Linda Robinson back in February 2010. She awarded The Temple of Gold the full five stars and posted the below comment:
I read this book in 1970, and it had an enormous impact on me. I'm not going to read it again because I don't want it out of time. J. D. Salinger just died, and I won't reread Franny and Zooey either. I'd rather remember them both as the most amazing books I've read in my life and leave the books and their brilliantly timely authors there.
Robinson's reluctance to revisit old favorite books left me vexed. On the other hand, I sympathized with her reluctance. Like most longtime readers, she has undoubtedly been burned by going back to a youthful treasure and finding fool's gold. Such an unhappy experience happened to me a year or so ago when I reread Narcissus and Goldmund by Herman Hesse. I first read it around the age of twenty and recalled it as a profound work that deftly contrasted the life of religious faith with the life of secular indulgence. It inspired me and encouraged me along the pilgrim's path. My original copy long gone, I serendipitously chanced upon the same mid-70's Bantam paperback edition at Half Price Books one day and was overcome with nostalgia. It was like meeting an old friend. Of course I snapped it up and looked forward to rereading it, naive fellow that I was. Reading it proved to be a chore, disenchantment growing with every page. "What was so great about this book?" I asked as I plodded along, waiting for the profundidty I was so confident was in there somewhere. I never found it.
And that is what brings me to Salinger. Goldman's Temple of Gold is compared right on the front cover blurb to Salinger. And virtually every reviewer feels an obligation to acknowledge the similarities. I was just last Thursday in my Western Lit Survey course bemoaning how few students read or are even aware of J.D. Salinger, a man with whom every English major circa 1990 was well versed. When Salinger died in January 2010 I looked to commisserate with my Creative Writing students, but only one had heard of him and none had read him. What happened? When did young people stop reading Salinger? Or maybe I should ask. when did Salinger stop speaking to young people? Could it be that what spoke to the disaffected youth of earlier generations is irrelevant to the students of today, who as a rule don't read a great deal and when they do tend to read Harry Potter, Hunger Games and Twilight?
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